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	<title>imastrangerheremyself</title>
	<link>http://imastrangerheremyself.com</link>
	<description>reports from Montecarlo, filmmaker &#38; storyteller</description>
	<lastBuildDate>Fri, 26 Feb 2010 08:00:53 +0000</lastBuildDate>
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	<item>
		<title>On Character (2)</title>
		<description><![CDATA[
&#8220;Characters do best when they stop telling us what they&#8217;re thinking and when they start doing things to reveal what they&#8217;re thinking.&#8221;
Bill Watterson


&#8220;Los personajes funcionan mejor cuando dejan de contarnos lo que piensan y empiezan a hacer cosas que muestran lo que están pensando.&#8221;
Bill Watterson

]]></description>
		<link>http://imastrangerheremyself.com/on-telling-doing/</link>
			</item>
	<item>
		<title>Motion</title>
		<description><![CDATA[
&#8220;The principle of contradiction and tension makes motion possible, and life is motion, essentially.&#8221;
The Art of Dramatic Writing Lajos Egri

&#8220;El principio de contradicción y tensión hace posible el movimiento, y la vida, básicamente, es movimiento.&#8221;
El arte de la escritura dramática Lajos Egri

]]></description>
		<link>http://imastrangerheremyself.com/motion/</link>
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	<item>
		<title>Six</title>
		<description><![CDATA[
&#8220;It reminded me of when I was six and a day could feel like a week, a week like a month, and a month itself was far too long an amount of time to even try to comprehend.&#8221;
Looking for Calvin and Hobbes.Nevin Martell


&#8220;Me recordó cuando tenía seis años y un día podía parecer como una [...]]]></description>
		<link>http://imastrangerheremyself.com/six/</link>
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	<item>
		<title>Tracks</title>
		<description><![CDATA[
&#8220;The tracks of people that walked together never disappear.&#8221;
African proverb


&#8220;Las huellas de las personas que caminaron juntas nunca se borran.&#8221;
Proverbio africano

]]></description>
		<link>http://imastrangerheremyself.com/tracks/</link>
			</item>
	<item>
		<title>Plumb</title>
		<description><![CDATA[
&#8220;A false note at the begining was much more costly than one nearer the end because early errors were part of foundation.&#8221;
That Old Cape Magic. Richard Russo

&#8220;Un error al principio era mucho más costoso que uno cerca del final, porque los errores iniciales formaban parte de los cimientos.&#8221;
That Old Cape Magic. Richard Russo

]]></description>
		<link>http://imastrangerheremyself.com/plumb/</link>
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	<item>
		<title>The Challenge</title>
		<description><![CDATA[
&#8220;The challenge of drawing is that there is no one right way to visually describe something. It&#8217;s a good thing to confront your limitations and preconceptions every so often.&#8221;
Bill Watterson

&#8220;El reto de dibujar es que no hay una manera correcta para describir visualmente algo. Es bueno enfrentarte de vez en cuando a tus limitaciones e [...]]]></description>
		<link>http://imastrangerheremyself.com/the-challenge/</link>
			</item>
	<item>
		<title>The Road Not Taken</title>
		<description><![CDATA[
&#8220;The Road Not Taken&#8221;
      Robert Frost (1874-1963)
            Two roads diverged in a yellow wood,
            And sorry I could not travel both
        [...]]]></description>
		<link>http://imastrangerheremyself.com/the-road-not-taken/</link>
			</item>
	<item>
		<title>Good Friends &amp; Travel Companions</title>
		<description><![CDATA[
&#8220;When you travel, go with those who are better than you, or at least equal.
If there are none, go alone; do not travel in company of fools.&#8221;
Buddha Gautama

&#8220;Cuando viajes, ve con aquellos que son mejores que tú, o al menos iguales.
Si no los hay, ve solo; no viajes en compañía de idiotas.&#8221;
Buda Gautama

]]></description>
		<link>http://imastrangerheremyself.com/good-friends-travel-companions/</link>
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	<item>
		<title>Memory and Subconscious</title>
		<description><![CDATA[
&#8220;Some stories, even ones buried deep in memory and subconscius, had a way of burrowing up into the light, of demanding conscious attention, until you have little choice but to write them.&#8221;
That Old Cape Magic. Richard Russo

&#8220;Algunas historias, incluso las que estaban profundamente enterradas en el recuerdo y el subconsciente, tenían un modo de salir [...]]]></description>
		<link>http://imastrangerheremyself.com/memory-and-subconscious/</link>
			</item>
	<item>
		<title>What Does A Screenplay Look Like? (2)</title>
		<description><![CDATA[
 This is something no one will ever teach you. It’s a mere “sequential breakdown”. It contains the entire film to be contemplated at a glance. Here you can see its duration, its rhythm, the dramatic development, the relations between its different plots, the story’s strength… All of it! (and then, some more).
Now, why hasn’t [...]]]></description>
		<link>http://imastrangerheremyself.com/what-does-a-screenplay-look-like-2/</link>
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